Thursday, August 15, 2013

THE DOCTOR WHO COMPANION TOP 20

AFTER RANKING MY FAVOURITE DOCTORS A COUPLE WEEKS AGO, I FINALLY BRING YOU THE PROMISED RANKING OF MY TOP 20 FAVOURITE COMPANIONS.  But, in order to keep you in suspenders, I'll be presenting the companions in reverse order starting with number 20. 

20.  LIZ SHAW  -  The brilliant Liz Shaw was scientific advisor to U.N.I.T. when the Doctor was unceremoniously exiled to Earth by the Time Lords.  At the start, she was slightly bemused by this strange Doctor person who was assigned to her but she soon learned to appreciate his talents.  However, the Doctor soon took center stage and Liz would depart after only a short time because she was a little too talented herself to be the Doctor's "test-tube passer".  Caroline John played Liz Shaw from the 3rd Doctor's first story "SPEARHEAD FROM SPACE" in January 1970 until to the epic "INFERNO" in June 1970.  She returned for the 20th anniversary extravaganza "THE FIVE DOCTORS" in November 1983 and for the 30th anniversary fiasco "DIMENSIONS IN TIME" in November 1993.  Caroline John died in 2012.

19.  HARRY SULLIVAN  -  Another U.N.I.T. member, Harry gave the Tardis an actual, proper medical doctor.  Harry's old-fashioned demeanor, Royal Navy background and insistence on calling Sarah Jane Smith "old girl" made for a charming if slightly bumbling companion who was always good for lifting spirits when they were low and thumping monsters when the need arose.  Ian Marter played Harry from the 4th Doctor's first story "ROBOT" in December 1974 through to "TERROR OF THE ZYGONS" in September 1975.  Marter briefly returned for December 1975's "THE ANDROID INVASION".  And to show you in what high regard Harry was held by the Doctor . . . Harry, to my knowledge, is the ONLY person who was ever allowed to wear the Doctor's scarf; Harry can be seen wearing the famous Tom Baker scarf as he, Sarah Jane and the Doctor trudge through the cold and damp Scottish underbrush in "TERROR OF THE ZYGONS".  Ian Marter died in 1986.

18.  ZOE HERIOT  -  21st century astrophysicist Zoe Heriot always claimed to be smarter than the Doctor and who's to argue?  Except the Doctor, of course, who always refuted it.  However, her exceptional braininess did not mean she couldn't handle herself; Zoe was a master at hand-to-hand combat and often tossed muscle-bound villains around like dolls.  Wendy Padbury played Zoe from the Cybermen invasion of her space station in "THE WHEEL IN SPACE" of April 1968 until the Time Lords dumped her back in her own time without the memory of her time spent with the 2nd Doctor (in his final story) at the end of "THE WAR GAMES" in June 1969.  Zoe sort-of returned in "THE FIVE DOCTORS" in November 1983 but only as a naughty illusion created by the villain.

17.  RORY WILLIAMS  -  Someone we expected to be a sideline character in the 11th Doctor's first story "THE ELEVENTH HOUR" would quickly become a regular companion.  And, as often happened in "New Who", a character who at first seemed rather inconsequential would grow to become a formidable, heroic companion in his own right time and time again.  With a heart as big as the inside of the Tardis and the lovability of a puppy dog, Rory the Roman proved himself to be a stand-up guy.  Arthur Darvill played Rory from "THE ELEVENTH HOUR" in April 2010, off and on until "THE ANGELS TAKE MANHATTAN" in September 2012.

16a.  ROMANA I  -  Sweet sixteen on my list of companions, of necessity, must be shared between two actresses as Time Lady Romanadvoratrelundar would regenerate her appearance during her time in the Tardis.  When the 4th Doctor was charged with his quest to recover the Key to Time, the White Guardian assigned Romana to help him out.  Another companion who regularly referred to herself as smarter than the Doctor (with the Gallifreyan test scores to back up her claims), Romana brought unheard-of glamour to the old Blue Police Box.  Mary Tamm played Romana I from "THE RIBOS OPERATION" in September 1978 until "THE ARMAGEDDON FACTOR" in February 1979.  Mary Tamm died in 2012.

16b.  ROMANA II  -  When she got bored of her appearance, Romana regenerated into a new, gamin-like form.  While her earlier incarnation was smooth-spoken, elegant and regal, Romana's newest regeneration was playful and silly enough to match the 4th Doctor's eccentricities while still maintaining her air of Time Lord authority which would one day land her in the post of President of Gallifrey (in the Big Finish audio series).  Lalla Ward played Romana (after taking the likeness of another character she played in "THE ARMAGEDDON FACTOR") in "DESTINY OF THE DALEKS in September 1979 until sauntering off into misty E-Space in WARRIOR'S GATE" in January 1981.  She returned for "DIMENSIONS IN TIME" in November 1993.

15.  JAMIE MCCRIMMON  -  What gams!  The 2nd Doctor met the young Scottish piper during the 1746 Highland uprising and rather unexpectedly ended up as a member of Team Tardis without even trying.  Always up for a good thumping, Jamie provided the muscle when the Doctor got into some scrapes; he also became half of a comedy team with the Doctor as the two sometimes behaved like naughty, giggly schoolboys.  Former child actor Fraser Hines played James from "THE HIGHLANDERS" in December 1966 until he was also mind-wiped and dumped back in his timeline by the Time Lords in "THE WAR GAMES" of June 1969.  He would also (sort-of) return in November 1983 for "THE FIVE DOCTORS" and actually return in "THE TWO DOCTORS" in February 1985 when he and the 2nd Doctor teamed-up with the 6th Doctor.

14.  NYSSA  -  Yet another brilliant companion -- who said all the Doctor's female companions were only there to scream -- Nyssa was one of the more tragic members of the Tardis team.  A young scientific genius on the planet Traken, Nyssa's father was murdered by the Master (who piggily took his form) and he planet was destroyed just to tie a bow on the whole mess.  Wedged in between the arrogant and snotty Adric and the "mouth on legs", complaining Tegan, Nyssa might be thought to fade somewhat into the background; however she was the companion (in the overcrowded Tardis) the Doctor relied upon constantly and was Peter Davison's idea of "the perfect companion".  Sarah Sutton played Nyssa from "THE KEEPER OF TRAKEN" in January 1981 until her rather abrupt and unforeshadowed departure in "TERMINUS" in February 1983.  She would also participate in that dog's breakfast called "DIMENSIONS IN TIME" in November 1993.

13.  RIVER SONG  -  No spoilers here, sweetie.  Suffice it to say that Dr. River Song was an enigmatic archaeologist who periodically encountered the Doctor going in opposite directions of their respective timelines; when the 10th Doctor first encountered River he had no idea who she was while she was meeting him for the final time and evidently had quite a history with him.  Spending equal time adventuring and cooling her (high) heels in prison, River Song was a pip.  Alex Kingston played River Song from "SILENCE IN THE LIBRARY" in May 2008 until her (presumably) final appearance in "THE NAME OF THE DOCTOR" in May 2013.

12.  K-9  -  The tin dog!  Created by Professor Marius, K-9 tagged along in the Tardis for quite a stint.  Still another companion who was constantly claiming intellectual superiority to the Doctor (I'm beginning to think the Doctor is a dope), K-9 was intensely loyal as well as enjoyably snarky towards his Time Lord master with a "talk back chip" apparently on 11.  John Leeson voiced K-9 in almost all the stories beginning with "THE INVISIBLE ENEMY" in October 1977 through WARRIORS' GATE in January 1981 (except in the stories between "THE CREATURE FROM THE PIT" and "SHADA" when K-9 was voiced by David Brierley).  The tin dog would return in "DIMENSIONS IN TIME" in November 1993, "SCHOOL REUNION" in April 2006 and "JOURNEY'S END" in July 2008.  K-9 would also appear in the spin-offs "K-9 AND COMPANY", "THE SARAH JANE ADVENTURES" and "K-9".

11.  IAN CHESTERTON  -  The programme's first "action hero", Ian was a science teacher from 1963 London who is kidnapped by the grouchy 1st Doctor into a series of adventures in space and time.  The elderly Time Lord wasn't capable of fisticuffs so Ian filled that role admirably; he also became something of a moral compass in the Tardis as the 1st Doctor wasn't always heroic or benign.  William Russell played Ian from the very first episode "AN UNEARTHLY CHILD" in November 1963 until the Dalek fun fair "THE CHASE" in June 1965.

10.  BARBARA WRIGHT  -  Really inseparable from Ian Chesterton, Barbara was the other half of the rock solid original Tardis Team of kidnapped 1963 London school teachers of the Doctor's granddaughter Susan.  Extremely knowledgable in history, Barbara was a great source of information for viewers of this new and strange TV programme.  She also provided some of the most interesting questions in the series i.e. whether or not one can change the pages of history.  "Not one single line!"  While initially rather timid, Barbara grew into a capable and sometimes brave companion much like the "New Who" group who would come after her.  Jacqueline Hill played Barbara from the first episode of the series "AN UNEARTHLY CHILD" in November 1963 until "THE CHASE" in June 1965 when she and Ian happily bounded through the streets of 60's London together.  The actress would return (as a different character) in "MEGLOS" in September 1980.  Jacqueline Hill died in 1993.

9.  LEELA  -  The noble savage and the Doctor's very own Eliza Doolittle, Leela was a member of the Sevateen:  a far-future aboriginal culture devolved from a crashed spaceship crew.  Adept with a knife and her lethal Janus thorns, Leela was constantly being reigned in by the Doctor from her violent tendencies as he attempted to "civilise" her.  A fearless warrior who seldom looked before she leapt; especially when she suddenly and unexpected stayed behind on Gallifrey after falling in love with a Gallifreyan guard (apparently off screen as there was bugger all plot motivation for it).  Louise Jameson played Leela from "THE FACE OF EVIL" in January 1977 until "THE INVASION OF TIME" in March 1978.  She also returned for "DIMENSIONS IN TIME" in November 1993.

8.  DR. MARTHA JONES  -  When her hospital was transported to the surface of the moon, medical student Martha Jones aided the 10th Doctor in his tiff with the Judoon.  After that, Martha joined him on his adventures as well as harbouring an unrequited love for the Time Lord.  Extremely capable first as a doctor and then as an in-demand freedom fighter whose services were sought by U.N.I.T. and Torchwood, Martha Jones is one of the most formidable companions the Tardis has ever seen.  Freema Agyeman played Martha Jones from "SMITH AND JONES" in March 2007 until "LAST OF THE TIME LORDS" in June 2007, then from "THE SONTARAN STRATAGEM" in April 2008 to "THE DOCTOR'S DAUGHTER" in May 2008 as well as subsequent appearances in "THE STOLEN EARTH/JOURNEY'S END" in June/July 2008 and "THE END OF TIME" in January 2010.

7.  BRIGADIER ALISTAIR GORDON LETHBRIDGE-STEWART  -  Lucky number seven spanned almost the entire series as the leader of U.N.I.T.  While only occasionally travelling in the Tardis, the Brigadier was one of the Doctor's most long-serving and valuable companions.  Starting first as a colonel, Lethbridge-Stewart was soon promoted to Brigadier in order to head the United Nations Intelligence Task Force in their fight against alien intervention on the planet Earth.  Nicholas Courtney played the Brig first in "THE WEB OF FEAR" in February 1968) and then in "THE INVASION" in November 1968 during the 2nd Doctor's tenure.  He then appeared in the 3rd Doctor's storylines beginning in "SPEARHEAD FROM SPACE" in January 1970 until the 4th Doctor's story "TERROR OF THE ZYGONS" in September 1975), and then again in "MAWDRYN UNDEAD" (with the 5th Doctor) in February 1983, "THE FIVE DOCTORS" in November 1983, "BATTLEFIELD" (with the 7th Doctor) in September 1989 and finally in "DIMENSIONS IN TIME" in November 1993.  He also appeared in THE SARAH JANE ADVENTURES story "ENEMY OF THE BANE".  Nicholas Courtney died in 2011.

6.  JO GRANT  -  Upon the departure of the brainy Liz Shaw, U.N.I.T. assigned daffy Jo Grant as the 3rd Doctor's assistant during his enforced exile on Earth.  Flighty, silly and seemingly rather dim, Jo could also be resourceful, knowledgeable when the occasion called for it and fiercely loyal and brave.  Street smarts rather than book smarts for Ms. Grant.  Jo was also the victim of the hurriedly-arranged romantic encounter which scriptwriters often used to retire a companion.  Katy Manning played Jo Grant from "TERROR OF THE AUTONS" in January 1971 until "THE GREEN DEATH" in June 1973.  She would return in THE SARAH JANE ADVENTURES story "THE DEATH OF THE DOCTOR".

5.  ACE  -  Accidentally teleported to Iceworld from her hometown of Perivale, troubled teenager Ace would team up with the 7th Doctor and become his quintessential companion.  Ace put paid to the misconception of female companions who tripped over things and screamed; she filled her back pack with Nitro-9 and famously beat the snot out of a Dalek with a baseball bat.  The ultimate action hero, Ace was perfectly capable of hurling herself through windows or dodging machine gun fire.  Ace was the first companion who had her own story arc throughout her tenure which would become de rigeur during the "New Who" years.  Sophie Aldred portrayed Ace from "DRAGONFIRE" in November 1987 until the final episode of the classic series "SURVIVAL" in December 1989.  She would also return for "DIMENSIONS IN TIME" in November 1993 and is the one companion of all the rest I most wish would return for "New Who".

4.  ROSE TYLER  -  The first companion of "New Who", Rose was the one to beat.  Working in a department store during the invasion of the Nestene, Rose would become the template for the "New Who" tactic of placing the companions center stage with equal importance to the stories as the Doctor himself.  Billie Piper played Rose from the first "New Who" story "ROSE" in March 2005 through "DOOMSDAY" in July 2006.  She would then return in "PARTNERS IN CRIME" in April 2008 and "THE POISON SKY" in May 2008" and then from "MIDNIGHT" in June 2008 through "JOURNEY'S END" in July 2008 and finally in "THE END OF TIME" in January 2010. 

3.  DONNA NOBLE  -  The most important temp in the universe.  Famously snuck onto the set with a paper bag over her head in a successful attempt to spoil the spoilers, British comedian Catherine Tate shocked the socks offa me by becoming one of my favourite companions and managing to top Rose Tyler on my list!  Cheeky, bossy and loud, Donna also had a huge heart and a rich emotional core which made her eventual departure from the Tardis one of the most heartbreaking ever seen.  Catherine Tate portrayed Donna from "DOOMSDAY" in June 2006 to "THE RUNAWAY BRIDE" in December 2006; then from "PARTNERS IN CRIME" in April 2008 through "JOURNEY'S END" in July 2008 and finally in "THE END OF TIME" in June/July 2010.

2.  AMY POND  -  How the mighty Rose has fallen; before Donna and Amy, Rose ranked number two.  But the mad ginger one has a power that cannot be denied.  From the absolute best regeneration episode ever, we immediately loved little Amelia and then fell in love with older Amy.  Her Scots fire ensured she took no guff and her thirst for adventure ensured she would be an exceptional companion.  With or without Rory, her bigger than life presence threatened to eclipse even the 11th Doctor!  Simply one of the most watchable companions ever.  Karen Gillan played Amy from "THE ELEVENTH HOUR" in April 2010 until "THE ANGELS TAKE MANHATTAN" in September 2012.

1.  SARAH JANE SMITH  -  The winner and still champion!  Undoubtedly the most-beloved companion in DOCTOR WHO history, she was my most beloved companion long before any else told me they felt the same way.  First stowing away on the Tardis during the 3rd Doctor's final series, proto-feminist reporter Sarah Jane Smith was determined as well as beautiful.  During her golden era teamed with Tom Baker's 4th Doctor, Sarah Jane was the Doctor's best friend and intensely loyal.  While initially screaming at a slimy monster, she would then immediately fight it and, if captured, never rest in her attempts to escape and help the Doctor.  Sarah Jane Smith as played so beautifully by Elisabeth Sladen is nothing less than the heart of the 50 year old science fiction series.  Elisabeth Sladen portrayed Sarah Jane from "THE TIME WARRIOR" in December 1973 until "THE HAND OF FEAR" in October 1976.  She returned for "THE FIVE DOCTORS" in November 1983, "DIMENSIONS IN TIME" in November 1993, "SCHOOL REUNION" in April 2006, "THE STOLEN EARTH/JOURNEY'S END" in June/July 2008 and "THE END OF TIME" in January 2010.  She also starred in the spinoff series "K-9 & COMPANY" and "THE SARAH JANE ADVENTURES".  Elisabeth Sladen died in 2011.

And there you have it:  my favourite 20 companions.  However, allow me to take a minute to list a few honourable mentions -- three excellent companions who only appeared in the Big Finish audio adventures but are no less cherished companions in my heart:

ERIMEM  -  Erimemushinteperem is an Egyptian warrior princess and the daughter of Pharoah Amenhotep II who joined the 5th Doctor and Peri on the Tardis when it was feared that, since historically she was not destined to succeed her father to the throne, she may be killed during a revolution designed to prevent a woman from becoming pharaoh of Egypt.  A leader of armies, Erimem was eminently capable of taking care of herself and has been known to break the arm of a man who pinched her bum!  She and Nicola Bryant's Peri (pictured above with their Doctor) made a terrific team (shame Peri was utilized to much better effect in the audios than on the TV series).  Caroline Morris first played Erimem in the Big Finish DOCTOR WHO audio "THE EYE OF THE SCORPION" in 2001.

CHARLEY POLLARD  -  Charlotte Elspeth Pollard was born the day the Titanic sank into a well-to-do English family.  While attempting to get to a meeting with a man in Singapore in 1930, Charley stows away on the Airship R-101 disguised as a male member of the crew when the 8th Doctor turns up in time for the craft's imminent destruction.  Against every law of time, the Doctor prevents Charley from dying in the crash by whisking her away in the Tardis.  Naturally, there are consequences.  Charley fancies herself as something of an Edwardian adventuress and, after a while, admits to fancying the Doctor as well.  Many instances of time problems will become evident over the years of audio adventures due to Charley's having cheated death.  India Fisher first played Charley in the Big Finish DOCTOR WHO audio adventure "STORM WARNING" in 2001.

DR. EVELYN SMYTHE  -  And I've saved the best for last.  The very first original companion created by the Big Finish DOCTOR WHO audio line, Evelyn remains the most beloved.  She's literally the opposite of everything we've come to expect in a companion; she's getting on towards becoming elderly with the infirmities that come with age, she has a tendency to argue most charmingly with the 6th Doctor (to his chagrin) and she is very VERY fond of cake and hot cocoa.  Nevertheless, she is strong in her convictions and brave when the situation arises.  A university history professor, she first encounters the Doctor when he crashes her lecture and interrupts it with an incessant electronic beeping.  Soon the Doctor is back at her digs being dished up a nice slice of cake when they realize she and all her ancestors are slowly being erased from history.  Heading back in time to see what's going on, the Doctor aims for Elizabethan England but instead ends up a little earlier during the reign of Bloody Queen Mary.  By the end of the adventure, Evelyn invites herself onto the Tardis to continue adventuring . . . whether the Doctor likes it or not!  Their friendly arguments and bickering back and forth are so delightfully written and beautifully acted at to be the highlights of every story.  A truly lovable companion! 

Thursday, August 08, 2013

THE MANY FACES OF FRED ALLEN

NOT BEEN FEELING TOO WELL THIS WEEKEND SO I'VE BEEN QUIETLY LISTENING TO A PLETHORA OF OLD RADIO SHOWS TO MAKE ME FEEL BETTER.  And one of my favourite comedians of all-time is Fred Allen.  I've listened to a half a dozen or so episodes of Fred's programmes including TOWN HALL TONIGHT, TEXACO STAR THEATER and THE FRED ALLEN SHOW (including both versions of the classic "Mr. and Mrs. Morning Radio" episodes with Tallulah Bankhead).  The first time I heard this classic hilarious sketch was when I took out the LP "A GOLDEN AGE OF COMEDY" from my Middle School library; it featured a bevy of radio comedians from The Mad Russian, Jack (Baron Munchausen) Pearl, Fibber McGee & Molly, Laurel & Hardy to Jack Benny, Milton Berle, Jackie Gleason (!), Red Skelton and George Burns & Gracie Allen.  You can read my little write-up on this album by clicking here.  And you may also enjoy my homemade album cover for the two different versions of THE FRED ALLEN SHOW episode which aired; the original was broadcast May 5, 1946 and the repeat was actually re-performed on October 27, 1946.  Oddly enough, the version heard on the GOLDEN AGE OF COMEDY album is from NEITHER of these broadcast so it's still a mystery where THAT version comes from!  The premise for the sketch is that Fred and Tallulah are lampooning the early morning radio shows which were abundant all over radio at the time; a husband and wife team would exchange pleasantries and gossip while shilling every possible product their sponsors could cram into the show.  For your listening pleasure, I have put the audio for "Mr. and Mrs. Morning Radio" over in the box on the right; just click on it and play the audio!  Oh and I almost forgot!  Fred Allen actually reprised this comedy routine in a movie with Ginger Rogers playing his wife in WE'RE NOT MARRIED (which also starred a young Marilyn Monroe!).  You can also watch a video clip from the movie by clicking here which will take you to our sister blog THE COBWEBBED ALCOVE.  But I digress. . . 

Now Fred Allen was known as a verbal wit (being a radio comedian will do that) but here I thought I'd post a few examples of some visual funniness from an ancient magazine article.  And you can biggify the images by clicking on them and then you'll be able to read the text too.    Enjoy!

  

Sunday, July 28, 2013

ANDREI TARKOVSKY'S 10 FAVOURITE FILMS

IT'S ALWAYS INTERESTING TO SEE A LIST OF THE FAVOURITE FILMS OF NOTED DIRECTORS, FILM CRITICS, ETC. 

In 1972, Andrei Tarkovsky (the maestro who gave us such masterpieces as ANDREI RUBLEV, STALKER and SOLARIS and probably the most famous Russian director since Eisenstein) told critic Leonid Koslov his ten favourite films.  So here they are (in no particular order):
  • DIARY OF A COUNTRY PRIEST (dir. Robert Bresson)
  • MOUCHETTE (dir. Robert Bresson)
  • PERSONA (dir. Ingmar Bergman)
  • WINTER LIGHT  (dir. Ingmar Bergman)
  • WILD STRAWBERRIES  (dir. Ingmar Bergman)
  • NAZARIN  (dir. Luis Bunuel)
  • CITY LIGHTS (dir. Charlie Chaplin)
  • SEVEN SAMURAI  (dir. Akira Kurosawa)
  • UGETSU  (dir. Kenji Mizoguchi)
  • WOMAN IN THE DUNES  (dir. Hiroshi Teshigahara)
Also when asked whom were his favourite directors, Tarkovsky listed the above-mentioned Bergman, Bresson, Bunuel, Kurosawa and Mizoguchi as well as Jean Vigo, Michelangelo Antonioni and Carl Theodor Dreyer.  Not too shabby, there, Andy!

Wednesday, July 17, 2013

TIMEY WIMEY DOCTOR WHO RANKINGS: WHO'S ME FAVOURITE WHO

AS IT IS THE 50th ANNIVERSARY OF DOCTOR WHO, I THOUGHT I'D TAKE A LOOK BACK AND RANK THE DOCTORS.

Any list of one's favourite Doctors must of necessity be subjective and, as they say, usually your first Doctor is your favourite.  And that stands true with me, I'm afraid.  It was, I believe, sometime in 1978 when family friend Ronnie asked my Dad if I'd seen that new British science fiction show they just started airing on the local PBS station.  I hadn't but I soon did!  I even remember the first episode I ever saw:  it was THE PYRAMIDS OF MARS and it featured those nearly forgotten "previously on Doctor Who" intros and outros narrated by Howard DaSilva (which can now be found as special features on some of the DVDs).  And since we all know which Doctor starred in THE PYRAMIDS OF MARS, I guess we all know my favourite Doctor then.  Am I bovvered?  Nah, cause it's. . .
 

1.  TOM BAKER  -  He'll always be the best Doctor for me.  The shock of curly brown hair, the toothy grin, the ridiculously immense scarf, the naughty Marx Brothers wit.  Oh, and that rich, brown voice!  All combine to make the perfect Doctor.  And besides all that, he walks in eternity as well!  When Tom Baker was on . . . he was ON!  During his "golden era" before he had gotten weary of the role, Baker had an almost infallible touch walking the line between heroic and humourous, charming and egotistical, dramatic and witty.  He was the longest-serving Doctor and had some of the best storylines in the history of the programme.  Possibly my favourite of them all is THE SEEDS OF DOOM:  an epic six-parter which combines THE THING FROM ANOTHER WORLD and THE DAY OF THE TRIFFIDS and echoes of THE QUATERMASS XPERIMENT for good measure.  The Doctor and Sarah Jane Smith are sent to an Arctic research station where Krynoid seed pods have fallen to earth (hey, shades of QUATERMASS 2 as well) which quickly infect a scientist who slowly transforms into a half human/half vegetable monster which starts growing and growing.  All this and an insane "Camp Freddie" playing organ music to his greenhouse full of plants and you've got a winner!  More of the best of the best Tom Baker storylines are: THE ARK IN SPACE,  GENESIS OF THE DALEKS,  PYRAMIDS OF MARS,  THE SEEDS OF DOOM,  THE ROBOTS OF DEATH,  THE TALONS OF WENG-CHIANG,  IMAGE OF THE FENDAHL,  THE STONES OF BLOOD,  CITY OF DEATH,  THE KEEPER OF TRAKEN.


2.  PATRICK TROUGHTON  -  Oddly enough, the second Doctor is number 2 on my list.  When first Doctor William Hartnell was being phased out of the programme due to ill health, prevailing wisdom would seem to dictate that that was the end of the TV series.  However, in a brilliant stroke of televisual genius, somebody (and I'm still not sure who) came up with the idea that, since the Doctor's an alien, why doesn't he just "regenerate" his form so we can cast another actor.  And the second brilliant coup was to cast Patrick Troughton.  The programme could've failed with the casting of an unsuitable actor, but Troughton not only managed to successfully take over the role but to increase ratings and make the role his own.  With his Beatles mop-top (some would also say Moe Howard's hairdo), his recorder, his giddy aunt and his "space hobo" ensemble, Patrick Troughton was a perfect fit for the role.  He specialized in playing dumber than he was in order to outwit his foes by making them disregard the Doctor as a serious threat.  Troughton was also beautifully adept at comedy and showed himself especially deft when he established the comedy double act of the Doctor and Jamie (Frazer Hines).  One of my favourite moments occurs in "TOMB OF THE CYBERMEN" when the Doctor and Jamie are trying to coax Victoria into the scary tomb entrance; thinking Victoria is following right behind them, both the Doctor and Jamie reach out to hold her hand but instead hold each other's hand as they mince in through the doorway -- then each turns to the other in a comedy take and hurriedly unclasp their hands.  Sadly, there are only a handful of surviving Patrick Troughton complete storylines still in existence after the BBC criminally wiped many of the tapes; but of what survives the best of the best Troughton stories are:  THE TOMB OF THE CYBERMEN, THE ICE WARRIORS, THE WEB OF FEAR (only the first episode exists but it's a corker), THE MIND ROBBER,  THE INVASION, THE SEEDS OF DEATH.


3.  MATT SMITH  -  The 11th Doctor's first story "THE ELEVENTH HOUR" is the best regeneration episode of any Doctor.  Full stop.  And that's when I knew Matt Smith was going to be something special.  Only 10 minutes into the episode, Smith owned the role.  The absolutely perfect performance between Matt Smith and Caitlin Blackwood (Amelia Pond) just had to make a believer out of any Doctor Who fan.  A recent examination of the 11th Doctor's tenure by the superb Verity podcast brought to my attention to particularly great rapport the 11th Doctor has with children and Matt Smith's first episode features some of the best moments in the entire half century of the programme!  Fish fingers and custard, indeed!  I haven't wanted to try some food concoction I saw on a TV show so badly since I saw Whoppcorn on SEALAB 2021!  And then, as if the charming/quirky/funny aspect of the character hadn't been established in the first episode, the second episode (THE BEAST BELOW) found Smith's serious acting chops on display and I knew he would make a formidable Doctor by the end of the second episode; his nearly-tearful outburst when he shouts he has nothing to say to humans today.  Stunning!  Matt Smith's quirky physicality (I believe Steven Moffatt has referred to his lead actor as being like a giraffe!), the bowtie (bowties are cool), the 12-year-old's physiognomy slapped onto a head that resembles an Easter Island statue and his immense charm make the 11th Doctor a keeper.  The best of the best of Matt Smith's stories (and they ain't finished yet, folks) are:  THE ELEVENTH HOUR,  THE BEAST BELOW,  THE TIME OF ANGELS/FLESH AND STONE,  THE PANDORICA OPENS/THE BIG BANG,  THE IMPOSSIBLE ASTRONAUT/DAY OF THE MOON,  A GOOD MAN GOES TO WAR/LET'S KILL HITLER,  THE GIRL WHO WAITED,  THE WEDDING OF RIVER SONG,  ASYLUM OF THE DALEKS,  THE ANGELS TAKE MANHATTAN,  THE NAME OF THE DOCTOR.


4.  JON PERTWEE  -  the dandy or the judo master?  Action man or clothes horse?  All of the above and more?  Known primarily for comedy roles, Pertwee took over as the third Doctor when immense changes were at work in DOCTOR WHO.  After some declining viewing figures and Troughton's departure, Pertwee was taking over as a Doctor who was being exiled to Earth like a Gallifreyan Silver Surfer.  In fact, we had just learned of the Time Lords' existence and now they forcibly cause the Doctor to regenerate and banish him to Earth in "the near-future" (let's not get into THAT whole debate as to exactly WHEN these stories occur in time) where he will land on the payroll of U.N.I.T. as the Earth becomes rather busy with alien invasions and the Master's (Roger Delgado) machinations.  Also, the programme would now be broadcast in colour for the first time.  Pertwee's ruffled shirts and velvet jackets, his Venusian martial arts and very action-friendly physicality, his love of gadgets and any vehicle that he could drive fast (and that includes his yellow roadster Bessie as well as the wacky "Whomobile"), and his tetchiness combined with a great warmth (especially towards Jo Grant [Katy Manning]) made his third Doctor often riveting to watch.  I think the best of the best of the Third Doctor's stories are:  SPEARHEAD FROM SPACE,  INFERNO,  THE DAEMONS,  THE SEA DEVILS,  THE GREEN DEATH.


5.  CHRISTOPHER ECCLESTON  -  Every planet has a North and the 9th Doctor apparently comes from it.  Eccleston's Doctor successfully launched the 2005 "reboot" (Oh, how I hate that word); the revival of DOCTOR WHO could've easily been a flash in the pan and faded away almost as quickly as that 90's TV movie (more on THAT later) but Eccleston's Doctor managed to combine a forceful strength with a sometimes-goofiness (remember the scene when he and Rose were looking for something huge and round in the middle of the city?).  Grungy leather jacket and buzzcut hair made him look like no other Doctor and proclaimed the series had entered the 21st century but Eccleston grounded his performance firmly in the show's history.  Unfortunately, he only chose to stay for one series.  Unfortunately, he has since chosen to pretend like he never did the role (at least that's how it seems sometimes) and doesn't want anything further to do with it.  But these things don't take away from that wonderful year of stunning stories and a marvelous performance.  The best of the best of Eccleston's superb season are:  ROSE,  DALEK,  FATHER'S DAY,  THE EMPTY CHILD/THE DOCTOR DANCES,  BAD WOLF/THE PARTING OF THE WAYS


6.  DAVID TENNANT  -  Surprise, surprise!  Number 10 follows Number 9 on my list.  However, we have now moved from the first half of my list featuring Doctors I "love" to the second half featuring Doctors I "like".  Now, this isn't to say that I don't think Tennant was terrific in the role.  But he could be a little . . . well . . . over the top sometimes with his Tennantisms.  But who cares, his "hwooooaaaaawwwwws" and his mannerisms were still lovable and of the three "New Whos" he surely has the most reverence for DOCTOR WHO and it's fans.  And when the role called for it, Tennant could deliver a brilliantly-acted performance; the man can act.  And he cared.  Besides that, he could get practically every cast and crew member to march in place lip-synching the Proclaimers' "I'm Gonna Be (500 Miles)" song so who couldn't love that?!?!  The best of the best of Tennant's stories are:  SCHOOL REUNION,  THE GIRL IN THE FIREPLACE,  ARMY OF GHOSTS/DOOMSDAY,  GRIDLOCK,  HUMAN NATURE/THE FAMILY OF BLOOD,  BLINK,  PARTNERS IN CRIME,  TURN LEFT,  THE STOLEN EARTH/JOURNEY'S END.


7.  COLIN BAKER  -  WHAT?!?!?! I hear you gasp incredulously.  Especially after you think about who Colin Baker has beaten to this list.  And only a year ago, I'm sure old Sixie would've been down there near the bottom of my list.  However, I can explain.  Sure, Colin Baker's telly adventures were mostly crap.  Sure, his tenure as the sixth Doctor was sabotaged not only by the BBC's (especially the head of the BBC's) intense hatred of the show but also by producer John Nathan-Turner's continuous string of bone-headed "ideas" ranging from that horrendous outfit to having the Doctor regenerate into an unlikeable, obnoxious individual who strangles his companion in his first episode (admittedly this aspect of a regeneration gone bad is interesting but it went on far too long) to the insistence on having an American companion and then casting a British actress who couldn't do an American accent in the role.  Seriously, talk about an uphill battle; Colin Baker never stood a chance.  And that's a shame because he wanted to play it differently but what could he do.  He just had to soldier along amongst terrible ideas and corporate hostility until he was unceremoniously dumped from the role.  But a nice thing has happened in the intervening years:  Colin Baker has found something of a Doctor Who renaissance in his truly marvelous Big Finish audio adventures in which he has proven himself to be the hands-down best Doctor in these audio productions.  We can only sit back and lament that Colin Baker was so ill-used on television.  And that is why the best of the best of Colin Baker's storylines will feature the Big Finish audio adventures rather heavily in this list:  THE MARK OF THE RANI (even though it's near rubbish but it's got the Rani AND the Master so shtoom), THE TWO DOCTORS and . . . well that's pretty much all I can recommend as far as the telly adventures but next are the superb audio adventures (with more to be added as I listen to them, I'm sure):  THE MARIAN CONSPIRACY,  THE SPECTRE OF LANYON MOOR, DOCTOR WHO AND THE PIRATES, THE ONE DOCTOR.


8.  SYLVESTER MCCOY  -  The seventh Doctor suffered quite a bit from the same situation as the sixth Doctor.  McCoy's first story "TIME AND THE RANI" is universally (and rightly) considered to be awful.  And it is!  Indeed, much of the McCoy's early tenure in the role is pretty bad.  But again, that wasn't his fault.  He had a personality and a costume imposed upon him to a great extent by the ever-present (and ever-wanting-to-leave-the-show) John Nathan-Turner.  The cotton candy colour scheme of the early McCoy era is just atmosphere-killing and McCoy's comical bumpkin take on the part is not particularly enjoyable.  However, a funny thing happened on the way to the final season of DOCTOR WHO:  it got really good!  Unfortunately, it was a little bit of "too little too late" and the show would be "put on hiatis" in 1989 because the viewing figures by then were in the basement despite the vast improvement of the episodes.  McCoy got to put some mystery and some seriousness in the role and he was partnered with the wonderful Sophie Aldred as Ace.  It would've been so nice to see what the series would've gone on to become.  The best of the best of McCoy's era are:  REMEMBRANCE OF THE DALEKS,  BATTLEFIELD,  GHOST LIGHT,  THE CURSE OF FENRIC.


9.  WILLIAM HARTNELL  -  He was the first.  Crotchedy, bossy, petulant, often cross, sometimes cowardly.  What a take on the hero of a TV series!  But I must admit that, hard as he is to warm to, I've warmed somewhat to William Hartnell over the years.  Sure, he often disappeared from the middle of storylines and sure he suffered from outrageous "billy fluffs" but be fair, he was suffering from ill health and arteriosclerosis was causing him to forget his lines and fluff them.  But in spite of all that, Hartnell had a fairly passionate proprietary protectiveness for DOCTOR WHO and could display incredible flashes of warmth and caring in certain scenes as well as several very affective soliloquies.  He was more than just a grumpy old Time Lord and the best of the best of Hartnell's reign are:  AN UNEARTHLY CHILD (just the first ever episode and NOT the crap caveman storyline which followed in the next three episodes), THE AZTECS, THE REIGN OF TERROR, THE DALEK INVASION OF EARTH, THE TIME MEDDLER, THE MASSACRE (only the audio exists), THE GUNFIGHTERS (yeah, you heard me!), THE WAR MACHINES. 


10.  PETER DAVISON  -  Some may be shocked at the rather low ranking of the fifth Doctor.  Some (among them David Tennant) consider him their favourite.  But I have always fallen into the camp that was rather underwhelmed by Davison's tenure as the Doctor and agree with Sue Perryman's evaluation that the fifth Doctor was rather wet.  Being the huge Tom Baker fan I am, there was a naturally letdown when Baker left the show and Davison took over.  This was the first time I'd gone through a regeneration of the Doctor and I was quite disappointed.  I remember I watched the beginning of "CASTROVALVA" (Davison's first story) and quickly neglected to watch DOCTOR WHO regularly after that.  Indeed, I only caught an episode here and there and only saw the vast majority of Peter Davison's stories in recent years on DVD.  And I must say that they're all rather bland.  I also always thought that Peter Davison (who I had watched for years before on "ALL CREATURES GREAT AND SMALL") wasn't really playing the Doctor that much but was just being Peter Davison.  And fair is fair, Tom Baker as the Doctor was pretty much Tom Baker.  However, it worked for Tom because of his giant personality and Peter has . . . shall we say . . . a less giant one.  Be that as it may, I still very much like Davison as the Doctor . . . if that's not too much of a contradiction.  In fact, I like ALL the Doctors on this list very much indeed.  But there's gotta be a ranking and this is how they fell into place.  So the best of the best of Davison's storylines are:  THE VISITATION,  EARTHSHOCK,  THE FIVE DOCTORS (yes, even though it's rubbish),  THE CAVES OF ANDROZANI.


11.  PAUL MCGANN - Fair's fair; Paul McGann never had a fair shot at the role.  One (lousy) TV movie in 1996 does not a tenure make.  And that TV movie is just such a dog's breakfast that, no matter what McGann could do, he wasn't going to rank high on this list.  That having been said, McGann (like Colin Baker) has had his own renaissance as the Doctor thanks to his long run appearing in Big Finish's DOCTOR WHO audio adventures.  And this will account for my including in his best of the best some Big Finish audios - well of course I am.  I mean, he only appeared once so what else could I do?  And the Big Finish audios I've heard knock hell out of that dreary TV movie.  So the best of the best of the eighth Doctor are ALL audio adventures:  STORM WARNING,  THE CHIMES OF MIDNIGHT,  NEVERLAND.

Sunday, May 26, 2013

PETER CUSHING CENTENNARY

HAPPY 100th BIRTHDAY PETER CUSHING! 
 
 
Of all the towering talents of horror cinema, there are few ranked higher in my affection and esteem than Peter Cushing.  Perhaps only Boris Karloff and Vincent Price could challenge him.  I cannot even begin to remember where or when I first saw Peter Cushing.  On one of the endless instances I watched horror movies on Dr. Shock or Creature Double Feature probably.  Cushing was, of course, a constant presence in the pages of FAMOUS MONSTERS OF FILMLAND magazine of which I was a frequent reader (when I could find it) and Alan Frank's hardcover MONSTERS AND VAMPIRES also provided me with my first in depth examination of Hammer's Frankenstein and Dracula series.  All I know is that Peter Cushing was a beloved friend well before seeing him in STAR WARS at the age of eleven.  The "Gentle Man of Horror" was a peerless actor who never gave a bad performance.  He never phone it in just because he was appearing in a less-than-stellar production; in fact, he often shined and made a grade-Z film watchable.  He had a boundless sense of humour and was infamous in his use of props during a scene; it seemed like he could pick up anything and make a memorable routine with it.  His contribution to the history of cinema and horror films in particular is rich and full.  And here are some of the reasons (from my vault) why I love and revere him:
  • THE CURSE OF FRANKENSTEIN (1957)
  • THE ABOMINABLE SNOWMAN  (1957)
  • HORROR OF DRACULA  (1958)
  • THE REVENGE OF FRANKENSTEIN  (1958)
  • THE HOUND OF THE BASKERVILLES  (1959)
  • THE MUMMY  (1959)
  • THE FLESH AND THE FIENDS aka THE FIENDISH GHOULS aka MANIA (1960)
  • THE BRIDES OF DRACULA  (1960)
  • THE RISK  (1960)
  • THE HELLFIRE CLUB  (1961)
  • CASH ON DEMAND  (1962)
  • NIGHT CREATURES aka CAPTAIN CLEGG  (1962)
  • THE EVIL OF FRANKENSTEIN  (1964)
  • THE GORGON  (1964)
  • DR. TERROR'S HOUSE OF HORRORS  (1965)
  • SHE  (1965)
  • THE SKULL  (1965)
  • DR. WHO AND THE DALEKS  (1965)
  • ISLAND OF TERROR  (1966)
  • DALEKS INVASION EARTH:  2150 A.D.  (1966)
  • FRANKENSTEIN CREATED WOMAN  (1967)
  • THE AVENGERS - "RETURN OF THE CYBERNAUTS"  (1967)
  • TORTURE GARDEN  (1967)
  • THE BLOOD BEAST TERROR  (1968)
  • SHERLOCK HOLMES (TV Series)  (1968)
  • FRANKENSTEIN MUST BE DESTROYED  (1969)
  • SCREAM AND SCREAM AGAIN  (1970)
  • BLOODSUCKERS  (1970)
  • THE VAMPIRE LOVERS  (1970)
  • THE HOUSE THAT DRIPPED BLOOD  (1971)
  • TWINS OF EVIL  (1971)
  • TALES FROM THE CRYPT  (1972)
  • DRACULA A.D. 1972  (1972)
  • ASYLUM  (1972)
  • DR. PHIBES RISES AGAIN  (1972)
  • HORROR EXPRESS  (1972)
  • THE CREEPING FLESH  (1973)
  • ...AND NOW THE SCREAMING STARTS  (1973)
  • FRANKENSTEIN AND THE MONSTER FROM HELL  (1973)
  • THE SATANIC RITES OF DRACULA  (1973)
  • FROM BEYOND THE GRAVE  (1974)
  • MADHOUSE  (1974)
  • THE BEAST MUST DIE  (1974)
  • LEGEND OF THE 7 GOLDEN VAMPIRES  (1974)
  • THE GHOUL  (1975)
  • SPACE:  1999 - "MISSING LINK"  (1976)
  • STAR WARS  (1977)
  • SHOCK WAVES  (1977)
  • HAMMER HOUSE OF HORROR - "THE SILENT SCREAM"  (1980)
  • HOUSE OF THE LONG SHADOWS  (1983)
  • TALES OF THE UNEXPECTED - "THE VORPAL BLADE"  (1983)
  • FLESH AND BLOOD:  THE HAMMER HERITAGE OF HORROR  (1994)

Tuesday, May 21, 2013

GOLDEN BAT (1966)

ÅŒGON BATTO A.K.A. THE GOLDEN BAT IS GENERALLY CONSIDERED THE FIRST JAPANESE SUPERHERO CHARACTER. 

Here we find him up on the silver screen in a 1966 Toei film starring future martial arts superstar Sonny Chiba (though not as the titular hero).  GOLDEN BAT is an oddly-still-in-B&W-by-this-late-date film obviously made for the children's market; a superhero/monster genre which all fans of ULTRAMAN, STARMAN and SUPER INFRAMAN will gladly embrace.  Silly in the extreme and coming at the height of the mid-60's camp craze, GOLDEN BAT operates simultaneously on the level of camp entertainment for adults as well as wide-eyed wonder for the kiddies watching.  I remember as a kid, I watched the BATMAN TV show reruns as a drama and it was only when I got a little bit older I first tweaked to the camp factor involved.  However, I suspect the filmmakers weren't actually going for camp but instead for a certain type of fairy-tale fantasy which these movies embody.

The story starts when a pint-sized amateur astronomer and science geek little boy named Akira (Wataru Yamagawa) discovers that the planetoid Icarus is hurtling toward the Earth and will destroy it.  What all the OTHER astronomers and scientists over the age of 21 were doing that they all missed this rather important detail is never disclosed.  Shortly after bringing this to said slacking scientists at a nearby observatory, Akira is accosted by a group of dashing white-turtleneck-clad science adventurers led by Captain Yamatone (Sonny Chiba) who recruit Akira to join the Pearl Research Institute:  a kinda super-secret group set up by the United Nations to investigate strange phenomena and spacey things (much like a Japanese UNIT).  They've invented a "Super Destruction Beam Cannon" with the power of "1000 H-Bombs" which would blast Icarus out of the sky . . . if only they had the super-rare mineral needed to fashion a lens for the cannon . . . which they ain't got.  Luckily for Earth, no sooner is this fact revealed than an away-team searching for the mineral discovers the lost continent of Atlantis risen from the depths and is wiped out by a gigantic tower that looks like a drill wearing a pair of librarian spectacles. 

Our team led by Cap Yamatone and including not only young Akira but also head honcho the Anglo Dr. Pearl (Andrew Hughes) and his 12 year old granddaughter Emily (Emily Takami) hop in their Supercar (every superteam needs one) and lands on the resurfaced Atlantis.  Why Dr. Pearl is Anglo-Saxon and Emily is Japanese is never gone into -- neither is the strange tendency a UN Research Institute has for hiring pre-pubescents.  Nevertheless, after the gigantic tower zaps at them and strange dark minions harass them, our team discovers the lost Egyptian-style tomb of the Golden Bat. 

Not only do they discover a note stating that 1000 years after his entombment, Golden Bat will be revived by a drop of water to fight some dire threat but also Ogon Batto happens to be holding the exact mineral needed to make the Super Destruction Beam Cannon's lens.  After Emily revives Golden Bat, the skull-faced superhero tells her that, because she brought him back, only she can summon him in times of danger via a small golden bat brooch obviously purchased from the same store selling Jimmy Olsen's Superman signal watch.  

The huge drill is the mobile base of the evil Nazo (Ruler of the Universe) who intends to wipe out all life because "only he deserves to live"; kinda making his "Ruler of the Universe" position into the potential "Ruler of a Buncha Nothing".  I suppose Nazo is meant to resemble a tarantula with six eyes but he looks like his mom made his costume out of felt and string for $1.98!  It's pantomime time!  After beating back Nazo's henchmen with his "Baton of Justice", Golden Bat tells the scientists to call him when they need him and to get the hell off Atlantis because it's gonna sink again.

The movie proceeds much in this fashion with Nazo continually trying (and eventually succeeding) in stealing the Super Destruction Beam Cannon, realizing sadly he's not got a lens to work it with, kidnapping several members of Dr. Pearl's Institute and replacing them with identical copies in order to get the lens and unleashing his goofy trio of stooges to defeat the good guys.  This wonderful trio of terror consists of a wolfman-like fella named Jackal, a woman named Pirahna and a scar-faced loon named Keloid.  

The movie is a symphony of silliness but oddly the Golden Bat himself is under-utilized throughout much of the middle part of the film.  Ogon Batto himself is a wonderful image with his skull-face, long cape (crimson in the poster art) and his habit of laughing maniacally whenever he appears and striking vogue-like dramatic poses. 

Sadly, the superhero is used sparingly only when our scientific team get themselves into such messes as they can no longer get out of.  Then Emily summons Golden Bat who swoops in, defeats the bad guys and departs until next time.  While "leaving them wanting more" is always a good strategy . . .well . . . dammit I want more of the Golden Bat. 

The scientific team is just not charismatic enough to support the film (even Sonny Chiba is rather bland despite his natty beard and white turtleneck sweater) and the film begins to groan when too much screen time sans the Golden Bat unspools.  However, the villains are insanely goofy so at least they hold up their end.  And there are a couple instances of nastiness surprising in a children's film.  In one scene the abducted 12 year old Emily is backhanded rather mercilessly (and startlingly) and later on Keloid begins to callously toss members of the Pearl Institute off the top of Nazo Tower to their deaths.  However, the film does move a quite a brisk clip and never lags into boredom.  There are a plethora of Gerry Anderson-like gadgets and vehicles from the daffy Nazo Tower to the Pearl Institute's Supercar to the villains' shark-like flying submarine.  The strange fact of the film's being in black & white (in 1966!) may be a bit of a disappointment but there are several really nice camera setups and atmospheric B&W camerawork (especially at the beginning) which are quite tasty.  Then we get into semi-Godzilla/Gamera territory when the Nazo Tower drills up from underneath Tokyo and begins to destroy the city while the flaming planetoid Icarus grows ever nearer and larger in the sky.  Come on, this movie's hard not to love! 

ÅŒgon Bat was created by writer Ichiro Suzuki and artist Takeo Nagamatsu in 1930 (pre-dating Batman by almost a decade) for the early 20th century Japanese entertainment form Kamishibai; a traveling show similar to "magic lantern shows" which featured a storyteller and a series of illustrated pictures.  This was also similar to the peculiar form of early 20th century silent cinema in Japan which featured a "benshi" who told the audience the story of the film they were going to see before it started and then narrated and did the voices of all on screen actors; this practice actually went on quite late even after the introduction of sound movies in Japan.  Apparently there was a previous Golden Bat film in 1950 as well as a 52 episode animated series the year after this film and a live-action TV series in 1972.  I'd love to see the animated series (and, for that matter, ALL the other Golden Bat incarnations) which include such episode titles as "In Pursuit of the Melon Bombs", "The Mystery of Finkhamen", "The Ghost Tower", "Superpowered Cyborgs", "The Bat Hag and the Monster Shelgon", "Revenge of the Liger Man" and "The Devil's Giant Statue".
         

GOLDEN BAT (OGON BATTO) TRAILER

Wednesday, May 15, 2013

POSTMAN'S KNOCK (1962)

A SHAMEFUL WASTE OF A COMIC GENIUS. 

MGM unleashed this extremely minor comedy on the world in 1962; or it probably is more accurate to say that the film wandered slowly out of the studio when the gate was left open.  Spike Milligan -- rightly revered from his work writing and starring in the illustrious wireless talking-type radio classic GOON SHOW -- was cast as a country postman who gets promoted to the big city of London.  While there he is at equal turns bewildered by city ways and something of an idiot savant with outdoing post office machinery.  Or something.  This is one of those pictures where a star from a medium outside the movies - in Spike's case radio - is shoe-horned into a film where the premise seems to have been arrived at as a means to an end -- in Spike's case let's make him . . . um . . . let's see . . . how about a postman and then we'll write the jokes around that occupation.  POSTMAN'S KNOCK could've starred ANY British comic actor with absolutely no change to the script or direction of the film.  Spike is damn near invisible in the film with absolutely none of his rapier-like comic madness on display; he demonstrates one or two pleasant comic turns during the entire film -- none of which elicits more than a smile.  The astonishing part is that the script apparently required the input of five writers -- one of which was Spike himself (God knows where) providing "additional dialogue".  This is in itself funnier than anything in the film since POSTMAN'S KNOCK utilizes Spike as more of a silent film comedian doing mostly visual slapstick; very odd for a comedian who made his reputation with spoken dialogue on the radio!  None of the slapstick is particularly funny and most had been seen many times before and is totally predictable.  POSTMAN'S KNOCK is one of those minor comedies which is forgotten almost as soon as the end card fades away.

Besides Spike Milligan, the film stars the usually wonderful Barbara Shelley (Hammer Horror heroine of everything from DRACULA, PRINCE OF DARKNESS to QUATERMASS AND THE PIT) here coming off as bland and uninteresting as the art student Spike's postman stumbles across as soon as he arrives in London.  Shelley's character is so insipidly written as noble and virginal that there can be no real interest in her either.  Startlingly, John Wood (creator of the mad supercomputer in the early 80's Matthew Broderick film WAR GAMES) appears here incredibly young-looking as a bumbling policeman endlessly shadowing Spike and Barbara for some reason or another.  Other wonderful British character actors appear to no great effect:  Wilfrid Lawson (PYGMALION's Alfred P. Doolittle), Bob Todd (for years on THE BENNY HILL SHOW), beloved Arthur Mullard (the café boss in SMASHING TIME amongst many other appearance) and, with probably the most pleasing performance in the film (and that's not saying much) Miles Malleson ("Room for one more inside, sir") as a dotty psychologist in probably the only memorable scene in the film.  Lacklusterly directed by Robert Lynn who specialized mostly in television (a couple episodes of SPACE:  1999, several episodes of CAPTAIN SCARLET & THE MYSTERONS and one lone EDGAR WALLACE MYSTERY THEATRE his most notable), POSTMAN'S KNOCK is a sad waste of talent all the way round.   

Tuesday, May 14, 2013

UNOFFICIAL FLICKERS PROJECT FIRST 100

 

YEP, THAT'S CORRECT, HUMPH -- I'M A SLACKER!  While this year I'm not officially continuing last year's "Super-Colossal Eye-Popping Flickers Project" which found me watching as many films as I could in one year, I have been keeping an unofficial count and I've finally reached 100 films watched this year.  This is, indeed, a paltry pittance and I knew it would be -- that's why I'm not doing the Flickers Project as such since I knew my movie-watching wasn't going to be what I hope for.  However, it's interesting to see what I DID manage to fit in so far this year.

The year started off with the Russian film version of HAMLET (Thanks, Weaverman!) as well as Francois Truffaut's flawed filming of the Ray Bradbury novel.  The first part of the year was rather heavy with silent movies:  D.W. Griffith's A CORNER IN WHEAT, Sergei Eisenstein's STRIKE, EARTH, CHESS FEVER, THE BIRTH THE LIFE AND THE DEATH OF CHRIST, THE PENALTY starring Lon Chaney, the first feature length motion picture (Sorry, Walt Disney) THE ADVENTURES OF PRINCE ACHMED, THE GODDESS starring the Chinese Garbo Ruan Ling-yu, THE MAN WHO LAUGHS starring Conrad Veidt and THE BELLS featuring an early role for Boris Karloff.  The beginning of the year also rather a lot of Russian movies with the aforementioned HAMLET, STRIKE, EARTH, CHESS FEVER and THE ADVENTURES OF PRINCE ACHMED.  Documentaries too featured very heavily so far in 2013 with AND EVERYTHING IS GOING FINE (about Spalding Gray), GREAT DIRECTORS, UNIVERSAL HORROR (the 90's doco about Universal Horror narrated by Kenneth Branagh), IN SEARCH OF BEETHOVEN, PUBLIC SPEAKING (Martin Scorsese's tribute to Fran Leibowitz), KINGDOM OF SHADOWS (an examination of horror in silent film narrated by Rod Steiger), PAUL WILLIAMS:  STILL ALIVE, A PERSONAL JOURNEY WITH MARTIN SCORSESE THROUGH AMERICAN MOVIES, FAMILY BAND:  THE COWSILLS STORY (Who knew?!?), DEFIANT REQUIEM,  ZERO:  AN INVESTIGATION INTO 9/11 (conspiracy theorists unite) and the monumental career-spanning HISTORY OF THE EAGLES.  And, of course, not ALL the movies I've watched this year were re-watches; some were brand new to me.  The oddest film of the year, for sure, is the over 7 hour long HITLER:  A FILM FROM GERMANY with Roy Boulting's THUNDER ROCK a close second; the former because of it's avant-garde filmmaking techniques from to-the-camera soliloquies to a Hitler puppet and the latter because of it's schizophrenic nature not knowing whether it wants to be a ghost movie, a propaganda film, an anti-fascist statement or a socially-conscious suffragette tribute!  And of all the new movies I watched this year, what was the worst one?  Well, sadly ABRAHAM LINCOLN VAMPIRE HUNTER takes the dubious crown.  And now...on to watch the second 100 movies of 2013.  Hopefully they won't take as long to get through as this lot!
  1. HAMLET (1964)
  2. FAHRENHEIT 451
  3. WITNESS FOR THE PROSECUTION
  4. LE JOUR SE LEVE
  5. THE NAKED TRUTH
  6. JUSTE AVANTE LA NUIT
  7. MONSTER IN A BOX
  8. AND EVERYTHING IS GOING FINE
  9. A CORNER IN WHEAT
  10. LE CERCLE ROUGE
  11. GREAT DIRECTORS
  12. DRACULA (1931)
  13. DRACULA (1931, Spanish language)
  14. STRIKE
  15. EARTH
  16. CHESS FEVER
  17. TINKER TAILOR SOLDIER SPY
  18. CULT OF THE COBRA
  19. THE THREE STOOGES
  20. UNIVERSAL HORROR
  21. PUBLIC SPEAKING
  22. IN SEARCH OF BEETHOVEN
  23. SMILES OF A SUMMER NIGHT
  24. IRON SKY
  25. WINTER'S BONE
  26. THE ARBOR
  27. KINGDOM OF SHADOWS
  28. THE BIRTH, THE LIFE AND THE DEATH OF CHRIST
  29. THE PENALTY
  30. THE ADVENTURES OF PRINCE ACHMED
  31. CASINO ROYALE (2006)
  32. HITLER:  A FILM FROM GERMANY
  33. THE GODDESS
  34. THIRTEEN WOMEN
  35. POR PRIMERA VEZ
  36. THE MAN WHO LAUGHS
  37. THE DEVIL'S EYE
  38. THE THIRD MAN
  39. SKYFALL
  40. THE MAN WHO COULD WORK MIRACLES
  41. THE BELLS
  42. THE SONG REMAINS THE SAME
  43. THE IRON LADY
  44. PAUL WILLIAMS:  STILL ALIVE
  45. A PERSONAL JOURNEY WITH MARTIN SCORSESE THROUGH AMERICAN MOVIES
  46. ROCK 'N' ROLL HIGH SCHOOL
  47. THE HEADLESS WOMAN
  48. DOCTOR WHO (1996)
  49. FRANKENWEENIE (2012)
  50. THE RETURN OF DR. MABUSE
  51. CARTESIUS
  52. X:  THE MAN WITH X-RAY EYES
  53. FAMILY BAND:  THE COWSILLS STORY
  54. ARGO
  55. I LIVE IN FEAR
  56. COLORADO TERRITORY
  57. THE TEN COMMANDMENTS
  58. ORLANDO
  59. MONSTERS
  60. TWELFTH NIGHT
  61. DEFIANT REQUIEM
  62. PHIL SPECTOR
  63. THE BLACK DAHLIA
  64. THE BOUNTY
  65. ARTHUR
  66. THE IDES OF MARCH
  67. PRESUMED INNOCENT
  68. THE SUSPICIONS OF MR. WHICHER
  69. WILSON
  70. TOO MANY CROOKS
  71. YOUNG AND INNOCENT
  72. ZERO:  AN INVESTIGATION INTO 9/11
  73. REMBRANDT
  74. A ROYAL AFFAIR
  75. IN WHICH WE SERVE
  76. THUNDER ROCK
  77. THE BREAKFAST CLUB
  78. RED
  79. THE CRIMINAL
  80. THE TITFIELD THUNDERBOLT
  81. HOUSE BY THE RIVER
  82. DRAGONWYCK
  83. THE SMALL WORLD OF SAMMY LEE
  84. TWO WAY STRETCH
  85. MAKE MINE MINK
  86. SUDDENLY, LAST SUMMER
  87. VERTIGO
  88. THE THIRTY-NINE STEPS (1978)
  89. ABRAHAM LINCOLN VAMPIRE HUNTER
  90. SEANCE ON A WET AFTERNOON
  91. OUR MAN IN HAVANA
  92. HISTORY OF THE EAGLES
  93. CROMWELL
  94. THE SERVANT
  95. THE MIND BENDERS
  96. ACCIDENT
  97. COMANCHE STATION
  98. DANGER:  DIABOLIK
  99. SANTO AND THE VENGEANCE OF THE MUMMY
  100. THE HAND OF POWER

Wednesday, May 08, 2013